Written by
Anthony
Chinese paper-cutting is a folk art form where patterns are cut into paper using scissors or knives, often to decorate spaces or complement cultural activities.
Deeply rooted in Chinese society, it plays a significant role in various folk traditions.
The intricate designs carry cultural and historical significance, reflecting the social knowledge, values, experiences, and aesthetic preferences of the people.
This art form serves multiple purposes, including expression, education, entertainment, and social interaction, embodying China’s rich heritage.

Single-color paper-cutting is the most basic form, using colors like red, green, brown, black, and gold. It’s mainly applied to window decorations and embroidery templates, featuring techniques such as engraving, shading, and folding cuts.

Multi-color paper-cutting includes techniques like dyeing, color overlay, and shading, offering vibrant effects. Each technique brings a unique style, enhancing decorative appeal with distinct layers and bright colors.

Three-dimensional paper-cutting uses cutting, folding, and gluing techniques to create sculptural forms. This type combines realistic and artistic expression, transforming paper art from flat to 3D, suitable for decoration and children's crafts.

Folding paper cutting is one of the most common folk techniques in Chinese paper cutting.
This method involves folding the paper in different ways before cutting, creating symmetrical patterns upon unfolding.
Traditional motifs such as “paired horses” or “paired monkeys” were originally made using this technique.
The simplicity and efficiency of folding paper cutting make it highly practical, allowing for quick production while maintaining a stylized and symmetrical aesthetic.
It is particularly suitable for depicting human figures, animals like frogs and butterflies, geometric patterns, floral designs, and decorative elements.
Its adaptability to bilateral, quadrilateral, or multi-directional symmetry has contributed to its widespread popularity and lasting influence on Chinese paper cutting and decorative arts.

Silhouette cutting is one of the oldest forms of paper cutting art, emphasizing the outer contours of figures and objects.
This method primarily focuses on the beauty of outlines, often depicting side profiles of people and animals due to the limitations of contour-based representation.
Artists typically use scissors and knives, and black or dark-colored paper is preferred to enhance contrast.
When cutting a portrait, the artist observes the subject while cutting directly, making this technique highly dependent on observation skills.
Silhouette paper cutting is particularly effective in creating light and shadow effects, making it a distinct and visually striking style.

Torn paper cutting is a modern variation of traditional folk paper cutting.
Instead of using scissors or knives, the artist tears the paper by hand, creating a raw and expressive form of paper cutting.
This method imposes natural limitations, making it unsuitable for intricate and highly detailed patterns.
However, these very constraints enhance its artistic uniqueness, giving it a rustic, bold, and dynamic aesthetic.
The spontaneity of tearing introduces an organic and natural charm, resulting in works that feel effortlessly formed yet full of expressive energy.

Dyed paper cutting involves adding color to cut patterns by staining the paper.
This method primarily utilizes small-scale engraving techniques, leaving larger uncut areas for dyeing.
The effect is similar to woodblock New Year prints.
Traditional folk dyes such as bright red and green are commonly used.
The dye spreads through the absorbent raw Xuan paper, creating a natural gradient effect.
Alcohol or liquor is often mixed into the dye to enhance penetration without wrinkling the paper, ensuring a smooth and vibrant color application.

This technique mainly focuses on hollow-cut designs, leaving space for layered coloring.
Artists attach colored paper behind a cut-out, matching different colors to elements such as skin, clothing, objects, or plants.
The contrast between warm and cool colors is carefully considered, and some colors are deliberately extended beyond the contours to add a lively folk-art touch.
The key to this style is to use colors sparingly yet effectively, ensuring that each additional shade enhances the overall composition without unnecessary complexity.

Also known as cut-and-paste paper cutting, this method combines multiple single-color paper cuts into a single composition.
The process involves carefully arranging different colored cutouts to create a harmonious image.
One variation features a main pattern layered over a background, such as a scene where the sky is blue, clouds are white, grass is green, and camels are earthy brown, resulting in a bright and decorative final piece.

Also referred to as brush-colored paper cutting, this method involves painting details within a cut-out composition.
Black paper is usually cut first, then adhered to a white background, where colors are added using a brush.
Unlike collage paper cutting, this method allows for gradual shading and natural blending.
However, excessive reapplication of paint is avoided to maintain the spontaneity of the medium.

This style combines woodblock printing and paper cutting.
Some pieces are first printed using a woodblock engraving technique, then further cut and dyed, while others are directly printed with a cut-paper effect.
This approach is ideal for producing large quantities of artwork and is commonly used for folk operas, myths, and traditional storytelling themes.
While it is bold and expressive, it does not achieve the natural fluidity of dyed paper cutting.

This method applies spray painting techniques to paper cutting using an airbrush or spray gun.
The fine mist effect creates a unique visual style resembling fog, morning dew, frost, or raindrops.
Artists can control the size and density of the spray, resulting in highly textured and atmospheric designs.

This style combines traditional cut-out designs with fine brushwork.
In some cases, the outline is drawn before cutting, while in others, artists cut the main form and then enhance it with painted details.
A notable variation involves using gold foil paper, where some sections remain uncut and are instead drawn with delicate lines.
This method blends the precision of painting with the distinct charm of paper cutting, producing intricate and expressive compositions.
Woven paper cutting integrates cutting and weaving techniques by using colorful paper strips to form geometric patterns, floral motifs, animals, or human figures.
The resulting pieces feature bold lines, unique compositions, and both decorative and practical value.
This technique is widely used in basket weaving, embroidery, children’s crafts, and folk art.

Bold and expressive, northern paper cutting features rough, exaggerated, and unrefined strokes, emphasizing a strong folk atmosphere with a deep connection to everyday life and traditional culture.

Graceful and intricate, this style emphasizes well-defined primary and secondary elements, smooth and elegant lines, and sophisticated compositions that highlight a refined aesthetic appeal.

Delicate and refined, southern paper cutting focuses on smooth, flowing lines, elegant compositions, and intricate details, often resembling fine paintings with balanced structure and artistic precision.
| School | Style | Description |
|---|---|---|
| Southern School | Zigong Paper Cutting | Originating from Sichuan’s Zigong region, this style dates back to the Ming and Qing dynasties, with over 400 years of history. It features intricate designs, a blend of boldness and delicacy, and strong decorative elements. Zigong paper cutting is known for its precision and elegance. |
| Foshan Paper Cutting | Emerging in Guangdong during the Song dynasty and flourishing in the Ming and Qing dynasties, this style is widely used in decorative arts. It features motifs of flowers, animals, opera characters, and folklore, often crafted with copper, silver, or wooden templates. | |
| Mianyang Paper Cutting | Hailing from Hubei, this style is famous for intricate floral patterns used in embroidery templates. It involves using a knife to carve designs into stacked layers of paper on a wax plate, creating detailed motifs such as “Magpies on Plum Blossoms” and “Dragons and Phoenixes.” | |
| Fujian Paper Cutting | This style varies by region—mountainous areas favor bold designs depicting animals, while coastal areas incorporate marine life. In cities like Quanzhou, artisans use cut-paper designs in furniture and architecture. It is widely used for festival decorations and embroidery templates. | |
| Jiangsu-Zhejiang School | Nanjing Paper Cutting | A fusion of northern boldness and southern delicacy, this style features continuous, flowing lines, often cut in a single stroke. Its main themes include festive decorations such as “Double Happiness” characters and embroidery templates. Nanjing paper cutting has been exported internationally since the 1950s. |
| Yangzhou Paper Cutting | One of the oldest regional styles, dating back to the Tang dynasty. Known for its exquisite floral motifs, the art was highly refined by masters such as Zhang Yongshou. It is often used for festival decorations and storytelling through intricate designs. | |
| Zhejiang Paper Cutting | This style, with roots in the Five Dynasties period, includes decorative elements for festivals and architecture. Zhejiang artisans specialize in opera-themed window paper cuttings and use them for theatrical scenes and traditional gift decorations. | |
| Northern School | Weixian Paper Cutting | Originating in Hebei during the Ming dynasty, this style is unique for its carving rather than cutting. Using a sharp engraving knife, artisans create elaborate patterns on thin Xuan paper, followed by vibrant color staining. It is recognized as a national intangible heritage. |
| Shanxi Paper Cutting | This style adapts to various festival traditions and includes full-window cuttings used in weddings and New Year celebrations. Patterns often include auspicious symbols such as persimmons, pomegranates, and lotus flowers. | |
| Shaanxi Paper Cutting | Known as the “living fossil” of paper cutting, it preserves ancient folk beliefs, including fertility symbols and mythical imagery. Each region has its own style, with Yan’an’s designs appearing bold and strong, while Jingbian’s are more delicate and geometric. | |
| Gansu Paper Cutting | A major representative of northern Chinese paper cutting, this style dates back to ancient times. It includes sub-styles such as Hexi, Longdong, and Longzhong, each with unique motifs rooted in local traditions. It is recognized as an intangible cultural heritage. | |
| Shandong Paper Cutting | The Bohai Bay region favors bold and expressive designs, while Jiaodong coastal artisans produce intricate, linear cuttings. It shares stylistic similarities with Han dynasty stone carvings, characterized by dense yet harmonious patterns. |



Folding is one of the most fundamental techniques in single-color paper cutting, allowing for the creation of repetitive and symmetrical patterns.
The final design varies based on the number of folds and the folding angles.

The visual effects of paper cutting rely on the contrast between cut-out and solid areas, which can be achieved through positive (Yang) and negative (Yin) carving techniques.

The pinprick method involves using a small knife or scissors to cut out the basic outlines and then piercing tiny holes into the design with a needle.
1. Decorative Use: Paper cuttings are commonly pasted on doors, windows, walls, lanterns, and festive decorations. Popular forms include window flowers, wall decorations, ceiling patterns, and lantern embellishments, adding charm and cultural symbolism to homes and celebrations.
2. Ornamental Use: Used to adorn gifts, wedding dowries, and ritual offerings, paper cuttings like joy flowers, offering decorations, and festival banners enhance the symbolism of blessings and prosperity in important ceremonies.
3. Embroidery Templates: Paper cuttings serve as stencil designs for clothing, shoes, hats, pillows, and accessories. Patterns like shoe flowers and sleeve motifs guide embroidery work, adding intricate detailing to traditional textiles.
4. Printing & Dyeing Stencils: As blue-dyed fabric stencils, paper cuttings are used for textiles, bed covers, curtains, scarves, and wrapping cloths. These patterns bring artistic beauty and folk culture into everyday fabric designs.
| Category | Description |
|---|---|
| Window Flowers (窗花) | Decorative paper cuttings pasted on windows, commonly found in northern China. They are used to celebrate festivals, featuring symmetrical patterns of animals, flowers, and folklore stories. |
| Wedding Flowers (喜花) | Used for decorating wedding items and home interiors. These cuttings are often placed on mirrors, tea sets, and basins, symbolizing happiness and prosperity with motifs of dragons, phoenixes, and peonies. |
| Gift Flowers (礼花) | Paper cuttings used to decorate gifts such as pastries, longevity noodles, and red-dyed eggs. They are popular in regions like Guangdong, Zhejiang, and Shandong, featuring auspicious symbols for blessings and longevity. |
| Shoe Flowers (鞋花) | Patterns for embroidery on traditional cloth shoes. Designs include small floral motifs for the shoe tip, crescent-shaped patterns for the shoe surface, and extended patterns for the shoe sides, enhancing footwear aesthetics. |
| Door Papers (门笺) | Also known as “hanging papers,” these are pasted above doorways or beams with auspicious words like “Peace and Prosperity.” Made from red or multicolored paper, they symbolize good fortune and ward off evil spirits. |
| Incense Box Flowers (斗香花) | Multi-colored paper cuttings used in ancestor worship and religious ceremonies. Crafted from layers of wax paper in vibrant hues, they depict theatrical scenes, historical stories, and auspicious symbols. |
| Paper-Cut Banners (剪纸旗幡) | Used in folk celebrations, paper-cut flags are common in the Chongyang Festival and exorcism rituals. They also appear in funerals as mourning banners and Buddhist ceremonies for commemorating the deceased. |
| Style | Description |
|---|---|
| Framed Style (镜框式) | Uses standard photo frames for mounting. The paper cutting is lightly glued to the backing paper to prevent displacement. The background color should contrast with the paper cutting for better visual appeal. |
| Paperboard Style (纸版式) | Can be flat or three-dimensional. Flat mounting adheres the cutting onto a designed paperboard, while 3D mounting sandwiches the cutting between transparent sheets for a floating effect. |
| Scroll Style (卷轴式) | Inspired by traditional Chinese painting scrolls, this method gives a grand and artistic look. Adding calligraphy and seals enhances its aesthetic, but the mounting process is complex and costly. |
| Laminated Style (压胶式) | Uses transparent resin glue to permanently seal the paper cutting between glass sheets. This method provides a glossy, durable finish but requires precise temperature control during the process. |
Traditional Chinese paper cutting embodies people’s aspirations for a prosperous and harmonious life.
This folk art combines symbolic imagery, using metaphorical representations rather than realistic depictions.
Common motifs like “Deer and Crane in Spring” symbolize longevity and prosperity, while “Eagle Stepping on a Rabbit” reflects yin-yang balance and fertility beliefs.
These paper-cut artworks express admiration for life, fertility, and well-being.
In times of hardship, they served as a form of spiritual solace, reinforcing the hope for abundance, health, and happiness.
By exaggerating elements like large fish, peppers, or grains, artisans portrayed prosperity and triumph over nature.
Paper cutting is more than decoration; it is a visual manifestation of faith, resilience, and the human desire for a better future.
| Announcement Year | Name | Applying Region or Unit | Protection Unit |
|---|---|---|---|
| 2006 (First Batch) | Weixian Paper Cutting | Weixian County, Hebei Province | Weixian Cultural Center |
| Fengning Manchu Paper Cutting | Fengning Manchu Autonomous County, Hebei | Fengning Manchu Autonomous County Intangible Cultural Heritage Protection Center | |
| Zhongyang Paper Cutting | Zhongyang County, Shanxi Province | Zhongyang Cultural Center | |
| Yiwulü Mountain Manchu Paper Cutting | Jinzhou City, Liaoning Province | Jinzhou Cultural Performance Group (Jinzhou Public Cultural Service Center) | |
| Yangzhou Paper Cutting | Yangzhou City, Jiangsu Province | Yangzhou Paper Cutting Museum Co., Ltd. | |
| Yueqing Fine Line Paper Cutting | Yueqing City, Zhejiang Province | Yueqing Intangible Cultural Heritage Protection Center | |
| Guangdong Paper Cutting | Shantou City, Guangdong Province | Shantou Chaoyang District Cultural Center | |
| Foshan City, Guangdong Province | Foshan Folk Art Research Society Co., Ltd. | ||
| Chaozhou City, Guangdong Province | Chaozhou Cultural Center (Chaozhou Intangible Cultural Heritage Protection Center) | ||
| Dai Ethnic Paper Cutting | Luxi City, Yunnan Province | Mangshi Cultural Center (Mangshi Intangible Cultural Heritage Protection Center) | |
| Ansai Paper Cutting | Ansai County, Shaanxi Province | Yan’an Ansai District Cultural and Cultural Relics Center (Yan’an Ansai District Intangible Cultural Heritage Protection Center) | |
| 2008 (Second Batch) | Guangling Dyed Paper Cutting | Guangling County, Shanxi Province | Guangling Cultural Center |
| Helingeer Paper Cutting | Helingeer County, Inner Mongolia | Helingeer Paper Cutting Association | |
| Zhuanghe Paper Cutting | Zhuanghe City, Liaoning Province | Zhuanghe Cultural and Media Center | |
| Xiuyan Manchu Paper Cutting | Xiuyan Manchu Autonomous County, Liaoning | Xiuyan Manchu Autonomous County Cultural Center | |
| Xinbin Manchu Paper Cutting | Xinbin Manchu Autonomous County, Liaoning | Xinbin Manchu Autonomous County Cultural Center | |
| Jianping Paper Cutting | Jianping County, Liaoning Province | Jianping Modern Service and Cultural Tourism Service Center | |
| Changbai Mountain Manchu Paper Cutting | Tonghua City, Jilin Province | Tonghua Normal University | |
| Fangzheng Paper Cutting | Fangzheng County, Heilongjiang Province | Fangzheng Cultural Center | |
| Shanghai Paper Cutting | Xuhui District, Shanghai | Xuhui District People’s Government Fenglin Road Street Office | |
| Nanjing Paper Cutting | Nanjing City, Jiangsu Province | Nanjing Arts and Crafts Corporation | |
| Xuzhou Paper Cutting | Xuzhou City, Jiangsu Province | Xuzhou Cultural Center | |
| Jintan Engraved Paper Cutting | Jintan City, Jiangsu Province | Changzhou Jintan Engraved Paper Cutting Research Institute | |
| Pujiang Paper Cutting | Pujiang County, Zhejiang Province | Pujiang Cultural Center | |
| Fuyang Paper Cutting | Fuyang City, Anhui Province | Fuyang Intangible Cultural Heritage Protection Center | |
| Quanzhou (Li Yaobao) Engraved Paper Cutting | Quanzhou City, Fujian Province | Quanzhou Licheng District Cultural Center | |
| Zhangpu Paper Cutting | Zhangpu County, Fujian Province | Zhangpu Cultural Center | |
| Zherong Paper Cutting | Zherong County, Fujian Province | Zherong Cultural Center | |
| Ruichang Paper Cutting | Ruichang City, Jiangxi Province | Ruichang Cultural Center | |
| Yantai Paper Cutting | Yantai City, Shandong Province | Yantai Cultural Center | |
| Gaomi Paper Cutting | Gaomi City, Shandong Province | Gaomi Intangible Cultural Heritage Protection Office | |
| Juxian Guomenjian Paper Cutting | Juxian County, Shandong Province | Juxian Cultural Center | |
| Binzhou Folk Paper Cutting | Binzhou City, Shandong Province | Bincheng District Cultural Center | |
| Huixian Paper Cutting | Huixian City, Henan Province | Huixian Cultural Center | |
| Lushi Paper Cutting | Lushi County, Henan Province | Lushi People’s Cultural Center | |
| Lingbao Paper Cutting | Lingbao City, Henan Province | Lingbao Cultural Center | |
| Ezhou Engraved Paper Cutting | Ezhou City, Hubei Province | Ezhou Mass Art Center | |
| Xiaogan Engraved Paper Cutting | Xiaogan City, Xiaonan District, Hubei | Xiaonan District Cultural Center | |
| Xiantao Engraved Paper Cutting | Xiantao City, Hubei Province | Xiantao Mass Art Center | |
| Tahuzaohua Paper Cutting | Luxi County, Hunan Province | Luxi County Tahuzaohua Inheritance Institute | |
| Miao Ethnic Paper Cutting | Jianhe County, Guizhou Province | Jianhe Cultural Center | |
| Qingyang Paper Cutting | Zhenyuan County, Gansu Province | Zhenyuan Cultural Center | |
| 2011 (Third Batch) | Baotou Paper Cutting | Baotou City, Inner Mongolia | Baotou Art Research Center |
| Xingan Paper Cutting | Xingan County, Jiangxi Province | Xingan Cultural Center | |
| Xunyi Colored Paper Cutting | Xunyi County, Shaanxi Province | Xunyi Cultural Center | |
| Yanchuan Paper Cutting | Yanchuan County, Shaanxi Province | Yanchuan Cultural Center | |
| Huining Paper Cutting | Huining County, Gansu Province | Huining Cultural Center | |
| 2014 (Fourth Batch) | Jingle Paper Cutting | Jingle County, Shanxi Province | Jingle County Cultural Center |
| Tonglu Paper Cutting | Tonglu County, Zhejiang Province | Tonglu Intangible Cultural Heritage Protection Center | |
| Pucheng Paper Cutting | Pucheng County, Fujian Province | Pucheng Cultural Center | |
| Shui Ethnic Paper Cutting | Qiannan Buyei and Miao Autonomous Prefecture, Guizhou | Qiannan Intangible Cultural Heritage Protection Center | |
| Dingxi Paper Cutting | Dingxi City, Gansu Province | Dingxi Intangible Cultural Heritage Protection Center | |
| Hui Ethnic Paper Cutting | Ningxia Hui Autonomous Region | Ningxia Cultural Center | |
| 2021 (Fifth Batch) | Taiyuan Paper Cutting | Taiyuan City, Shanxi Province | Shanxi Shanglinyuan Traditional Paper Cutting Art Research Institute |
| Hailun Paper Cutting | Hailun City, Heilongjiang Province | Hailun Cultural Center | |
| Meishan Paper Cutting | Anhua County, Yiyang City, Hunan | Meishan Paper Cutting Culture Co., Ltd. |
Chinese paper cutting is a traditional folk art that uses scissors or knives to create patterns on paper. It serves to decorate living spaces and complements various folk customs and cultural activities.
In 2009, Chinese paper cutting was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity, acknowledging its cultural and artistic significance.
Before paper was invented, thin materials like leather, silk, gold foil, and even leaves were used for cutouts. These techniques laid the foundation for the development of Chinese paper cutting.
Chinese paper cutting includes single-color cuts, multi-color cuts, and three-dimensional cuts. Each type employs different techniques and serves various decorative or artistic purposes.
Paper cuttings are often used to decorate windows, walls, and doors, or as embellishments on gifts, clothing, and festive items. They symbolize cultural values, blessings, and aesthetic preferences.

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Hi there!
Just a quick heads-up — a helpful user named Volker let me know that some of the non-English content on this site may not be accurate.
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